My time doing a double degree in Busan, South Korea was a year where my professional skills grew extremely fast. During that year, besides studying advanced parts of traditional 3D animation at the academy, I also worked hard outside school, participating in asset modeling for AR mini-programs at a startup tech company. A lot of the skills I learned during this period were problem-driven—I needed to make something but didn't know how, so I learned and researched, then jumped straight into the project. At first, it was pretty scary, but over time I got used to it. However, being such a workaholic that year caused my eyesight to worsen by 200 degrees in just one year, which was terrifying. Since then, I generally avoid forcing my eyes to work continuously unless there’s a deadline. During this period, my works mainly included Maya and ZBrush 3D models, VFX in Maya and Houdini, movie posters made in Photoshop, and I also often attended classes at the film school because I really loved the texture of camera photography.

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韩国釜山双学位时期是我专业技能飞速成长的一年，因为这年我除了在学院里学习传统的三维动画高阶部分，在校外我也努力的参与初创科技公司AR小程序开发的资产模型部分，很多技术在这一时期是问题导向的的学习，我需要做一个东西，但我不知道怎么去做于是我去学去查，然后直接拿项目上手去做，刚开始还是挺恐惧的，但时间久了就慢慢熟悉了。但这一年太工作狂了导致眼睛度数一年暴涨了200°这太恐怖了，从这以后，一般情况下我不会强迫我的眼睛持续工作，除非我又有什么deadline要赶。这一时期我的作品主要是Maya,zbrush三维模型，maya,hudini的VFX，还有Photoshop制作的电影海报，还要经常去蹭电影学院的课程，因为我很喜欢相机摄影的质感。